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Spotlight Award 2005
for Sound, Misery from
Colorado Backstage, January 2006. And their
review:
"Michael
Andrew Doherty's...
musical composition and
ingenious sound effects melts the theatre into space and time."
Review of Misery's Sound Design by David Marlowe, Out Front,
October 2005. "Doherty's
complex sound design lends a layered richness and auditory clarity to
the proceedings which is formidable."
"Best Avant-Garde Composer"
from Denver's arts and entertainment newspaper, Westword, March
2005.
"...fuse(s) ...severe
minimalism with wit and humanity."
Review of
A_B (noise
pieces A, B & C) by Jason
Heller, Westword, October 2004.
"...a
surprisingly compelling listen."
Review of A_B (noise pieces)
by Randy Nordschow, New Music Box, August 2004. "...definitely
bares the phantom fingerprints of the King of Silence [John Cage]
himself."
Review of
Architecture in Paris
Transatlantic Magazine, by Dan Warburton, September 2004.
"..
subtle exploration recalls the work of Alvin Lucier... a satisfying and
well-structured piece."
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